| Ujjwal Ankur Assistant Professor (Leather Department) NIFT, Delhi (India) | Tulika Mahanti Associate Professor (Leather Department) NIFT, Delhi (India) | Chandrashekhar Joshi Associate Professor (Fashion Communication) NIFT, Jodhpur (India) |
Abstract
This paper investigates the art historical and archaeological significance of carved wells in the Vajjikanchal region of Bihar, focusing on examples from villages such as Lakshmipur Arar, Barka Gaon, Belvar, Karja, and Ramnagar Tonk. The spatial distribution and stylistic features of these wells reflect the region’s layered cultural heritage, deeply intertwined with Buddhism through its association with the final retreats of the Buddha, Jainism as the birthplace of Mahavira and Hinduism, as part of the ancient Vajji Mahajanapada. By analyzing the intricate patterns carved into the stone, the study reveals the sophisticated craftsmanship embedded within these vernacular structures. Utilizing a combination of digital renderings and traditional line drawings, this research recovers and reinterprets artistic details that might otherwise have been lost to time. The study not only enriches our understanding of regional art practices but also positions these carved wells as vital expressions of aesthetic and spiritual life in early Indian history.